Bass Lessons - Page 39

Keeping up with this recent series of quick bass lick lessons, here’s a short groove in Em. I’m playing this with an open D string to achieve a note doubling effect. Follow along with the video and this transcription (PDF). For the gear heads: I’m playing a 1964 Fender Jazz bass with Dunlop nickel strings, gauge 45-105 running through a...

Here’s another quick lesson for you, this time focusing on a disco-style bass groove. As with any excercise, it is important to keep playing it without stopping until you find that groove. Follow along with the video and this transcription (PDF). The tempo on this one is 105 bpm. For the gear heads: I’m playing a 1966 Fender Precision bass...

Time to get funky. Here’s another quick bass lick lesson for you, centered around a pentatonic fill. Follow along with the video and this transcription (PDF download). If you want some background, there are a few lessons here covering pentatonic scales and patterns: Breaking Down the Pentatonic Scale: The Five Positions on Bass Improvising and Groove: Substituting Pentatonic Scales on...

I’m working on a new concept in double thumb slap bass, which basically is an “in reverse” technique. This means the “down” thumb is on the offbeat, and the “up” thumb is on the downbeat. This creates a whole new feeling worth exploring. You can follow along with the notation (PDF) and the video below. Let me know how it...

Among the great tunes on Jaco Pastorius’ self-titled solo debut was “(Used to Be A) Cha-Cha”. His solo is a tricky one, at an upbeat tempo and with Jaco’s trademark melodic and syncopated lines. Here is Jukka Haavisto’s take on his wonderful solo on this track.

Here are some cool patterns for you to try out, using open strings for creating fast passages and note doubling. In the video demonstration, I first play it at full speed, followed by a reduced speed. Follow along with the notation/TAB (PDF). For the gear heads: I’m playing my 1966 Fender Precision bass (I don’t use the Jazz bass bridge...

Tal Wilkenfeld’s fantastic solo on the Jeff Beck classic “Cause We’ve Ended As Lovers” has been watched countless times. There are several live recordings of this track, but the one transcribed here is from the Crossroads Guitar Festival in 2007.

Editor’s note: No Treble readers submitted questions to us for the next series of lessons by Thomas “MarloweDK” Risell. Several readers submitted questions about learning scales, intervals and patterns, as well as asking how I approach practicing them. In this installment, I try to cover all the basics. If you have questions or something you’d like to share about these...

In this new lesson, we’ll cover some tips on soloing over changes. In the video below, you’ll see that I’m playing chords through a looper, to create the pattern to play against. We start with a D Major scale, over an E minor chord, which is the Dorian mode. The scale: D E F# G A B C# Then, the...

This month’s transcription is “Boomerang”, a funk-filled slap-fest from Hungarian bassist Viktor Lörincz we originally featured back in 2011. This chops-heavy piece is a great workout for anyone looking to take their slapping and tapping skills to the next level. Download the transcription (PDF) and follow along: Viktor opens the piece with a Latin-flavored tapping part which outlines a series...

Last time, we took a look at some basic exercises aimed at expanding fretboard knowledge through the use of the pentatonic scale. For this lesson, we’ll cover more advanced patterns and build on what we’ve started in the first part. Be sure to download the PDF for these exercises (standard notation and TAB included) so you can follow along and...

Here’s a great exercise aimed at expanding your fretboard knowledge. For this lesson, we’re going to use the five positions of the A minor / C Major pentatonic scale. The pentatonic scale contains five notes, of course, and you can play this from different positions. Learning these patterns will significantly increase your fretboard knowledge. Here’s how it breaks down, taking...