Tim Fletcher’s tenth entry of the “Unsung U.S. Bassists” series is here. Check out his thorough background, analysis, and transcription of Kasim Sulton's bass line on "You Took the Words Right Out of My Mouth" by Meat Loaf.
Tim Fletcher’s ninth transcription of his “Unsung U.S. Bassists” offers an excellent analysis of Deon Estus’ bass line on “Club Tropicana” by Wham!
Tim Fletcher’s eighth transcription of his “Unsung U.S. Bassists” offers an excellent analysis of Dennis Dunaway's bass line on "No More Mr Nice Guy" by Alice Cooper.
Tim Fletcher is back with his seventh entry of the “Unsung U.S. Bassists” series. Check out his bass transcription and analysis for Ronnie Baker's line on "Bad Luck" by Harold Melvin and the Bluenotes
Tim Fletcher is back with his sixth entry of the “Unsung U.S. Bassists” series. Check out his transcription and analysis for Chris Ethridge’s bass line on “Hot Burrito #2” by The Flying Burrito Brothers.
Tim Fletcher’s fifth entry of the “Unsung U.S. Bassists” series is here. Check out Tim’s transcription and analysis of Karl Alvarez’s Bass Line on “I’m The One” by The Descendents.
Tim Fletcher’s fourth entry of the “Unsung US Bassists” bass transcription series focuses on Jean Millington's Bass Line on “Ain’t That Peculiar” by Fanny.
Phil Upchurch has played on over two hundred albums, and is highly regarded for his guitar work. He is less well-known as a bass player, but he’s contributed some excellent work as well. Check out Tim Fletcher’s transcription and analysis of Upchurch’s line on Donny Hathaway’s “Misty”
This is the second entry of the Tim Fletcher's “Unsung US Bassists” series, with his transcription and analysis for Dave Hope’s bass line on “Carry on Wayward Son” by Kansas.
We’re thrilled to welcome back Tim Fletcher, who is starting a new bass transcription series on the “Unsung US Bassists.” Tim is kicking things off with his transcription and analysis of Doug Haywood’s bass line on “Late for the Sky” by Jackson Browne.
With producer and mentor Chas Chandler in control, and holed up in Olympic Studios in London, the early sessions for the album had been relatively straightforward, and the band had recorded basic versions of “Crosstown Traffic” and “All Along the Watchtower” before setting off on their early ’68 North American tour. On a break from their schedule, a short recording...
Ewen Vernal was born in 1964 into a musical family in Glasgow, Scotland. His mother was a vocalist, and his father played saxophone and also led a local choir. Ewen’s early musical experiences focused on playing the piano and singing, but this changed during his teenage years after he found an old acoustic guitar in his loft. Although only the...