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  • Talking Style: G-Funk – Part 2

    Talking Style: G-Funk – Part 2

    I want to continue the “G-Funk” exploration in this episode by taking a look at the 1995 cut “Safe & Sound” by DJ Quik. This song is a prime example of having a part from a record re-played as opposed to sampling it. This gives the producer so much more freedom in terms of what... »

  • Bass Transcription: Jaco Pastorius’s Bass Line on Weather Report’s “Night Passage”

    Bass Transcription: Jaco Pastorius’s Bass Line on Weather Report’s “Night Passage”

    Today we will be tackling Jaco Pastorius’s bass line on the title track from Weather Report’s 1980 album, Night Passage. This is one of the best Weather Report albums. To me, it always sounds fresh and modern, like a timeless record. The group also includes drummer Peter Erskine and percussionist Robert Thomas Jr, who sound... »

  • Talking Technique: Drills for Fills

    Talking Technique: Drills for Fills

    Everyone loves a perfectly placed fill. That’s why today we’ll be going over scalar exercises that will help us create those tasty licks while beefing up our technique. In essence, we’re practicing a scale. Typically when you play a scale, you go from root to root in order. But we’re going to break it down... »

  • Bass Transcription: John Paul Jones’ Bass Line on Dusty Springfield’s “Take Another Little Piece of My Heart”

    Bass Transcription: John Paul Jones’ Bass Line on Dusty Springfield’s “Take Another Little Piece of My Heart”

    Dusty Springfield was a British singer whose early chart success in the UK and USA was with straightforward pop tunes such as 1963’s “I Only Want to be With You,” and more sophisticated ballads like 1966’s “You Don’t Have to Say You Love Me”. The 1968 Dusty… Definitely album began her change towards a more... »

  • Talking Style: G-Funk

    Talking Style: G-Funk

    G-Funk is a sub-genre of Hip-Hop that came out of 1990’s West Coast Gangsta Rap. Some characteristics of G-Funk are Parliament-Funkadelic-inspired, with mid-tempo grooves, melodic synths (high pitched “Gangsta Leads”), deep bass, and male or female vocals on the hooks. G-funk often consists of fewer, unaltered samples per song as opposed to the altered samples... »

  • Talking Technique: Groove Creation Workout

    Talking Technique: Groove Creation Workout

    Want a formula to create grooves over a chord progression? We’ve got you covered in this lesson with an exercise that bolsters our technique while building grooves with triads. We’ll tackle a I-vi-IV-V chord progression using a formula that has two main ingredients: triad notes and rhythm. The triad notes are already laid out for... »

  • Advanced Bass: Groove Follow Ups

    Advanced Bass: Groove Follow Ups

    This challenging lesson outlines a musical tactic called “follow ups” to add to your groove tool box. We’ll go over some cool ways to create call and response follow up patterns using all of the components of music – helping you to play great lines over chords that will render tasteful musical ideas! Be sure... »

  • Creative Bass Lines: Melodic and Rhythmic Lines

    Creative Bass Lines: Melodic and Rhythmic Lines

    For my first column here at No Treble, I thought it might be fun to demonstrate a few actual bass parts I have come up with for projects I have recorded. One of the things I enjoy in the playing of the bassists that have influenced me is the use of interesting melodic and rhythmic... »

  • Talking Technique: Talking Double Stops

    Talking Technique: Talking Double Stops

    Looking for ways to spice up your grooves? Double stops are a great option. In their most basic form, double stops are when we play two notes together at the same time. They can sound muddy in some registers of the bass, but we’ll go over some tricks to make them sound like gold. This... »

  • Talking Technique: Two-Octave Triads

    Talking Technique: Two-Octave Triads

    How about some cool two octave triad fills for your grooves? Playing triads over two octaves is surprisingly difficult to do on the bass. Today we’ll cover how to not only master playing those triads over two octaves, but also how to build some cool fills from that tonal material. An important tip ensures that... »