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  • Advanced Bass: How to Play Across the Bar Line

    Advanced Bass: How to Play Across the Bar Line

    In this lesson, we’ll take a deep dive inside the world of playing across the bar line. Equally as relevant for both your solo lines and your groove playing, we will cover how to play across the bar line by using “Time Signature Superimposition” that will take your phrasing to a whole new and exciting... »

  • Bass Transcription: A Little Piece for Jaco

    Bass Transcription: A Little Piece for Jaco

    It’s been a long time since my last transcription because it’s summer here in South America, and I’ve been very busy working and playing. Recently I played with my latest project, , at the Lebu Jazz Festival. It’s a bass-drum duo with a lot of electronica. I also wrote “A Little Piece for Jaco,” for... »

  • Talking Style: Fire on the Bayou

    Talking Style: Fire on the Bayou

    “Fire on the Bayou” might just be my favorite song out of New Orleans. There is a grit and attitude about it that can only be found in New Orleans. The lyrics paint a picture of the New Orleans that I remember seeing on my periphery as a little boy growing up there – observing... »

  • Talking Technique: Efficient Practice Hacks #5: Mnemonics – Part 1

    Talking Technique: Efficient Practice Hacks #5: Mnemonics – Part 1

    Harness the power of these creative time tested memory tools. They will enrich your bass playing and are useful for all walks of life. A mnemonic is any idea or device that aids in remembering something. Maybe you are familiar with “Large Elephants Jump Slowly And Sink Rapidly” – helping US students remember the seven... »

  • Talking Technique: Efficient Practice Hacks #4 – Motivation

    Talking Technique: Efficient Practice Hacks #4 – Motivation

    Having trouble getting motivated to practice? Just not feeling it? Here are a few simple action items to help get you going. I have found them very useful for myself and my students. Famously, there are two kinds of motivation (or impulses that lead to motivation to act): extrinsic (from the outside) and intrinsic (from... »

  • Talking Style: Mardi Gras Mambo

    Talking Style: Mardi Gras Mambo

    Mardi Gras Day, also known as “Fat Tuesday” is celebrated the day before Ash Wednesday and is the last big blowout before Lent starts and fasting begins. Mardi Gras is actually a season in New Orleans, Carnival Season. Interesting factoid – the word “Carnival” loosely translates to “Farewell to the flesh”. An iconic song played... »

  • Talking Technique: Efficient Practice Hacks #3 – Put Your Bass Under Your Pillow

    Talking Technique: Efficient Practice Hacks #3 – Put Your Bass Under Your Pillow

    Installment three in my series on my favorite practice “hacks” may almost seem too good to be true. However, this has nothing to do with wishful thinking, the law of attraction (I am more of a “law-of-action” kinda gal), or superstition. It has everything to do with brain science and the power of the mind!... »

  • Advanced Bass: Creative Chordal Connections

    Advanced Bass: Creative Chordal Connections

    This challenging bass lesson highlights Creative Chordal Connections, enabling you to understand complex jazz concepts while revealing how learning to play chords on the bass will help you to hear different chord qualities with greater clarity and ease. Follow along with the transcription and the video below. »

  • Talking Technique: Efficient Practice Hacks #2 – How to Take a Break

    Talking Technique: Efficient Practice Hacks #2 – How to Take a Break

    Welcome to installment two in my series on my favorite and most efficient practice “hacks.” You have probably heard of this one – taking breaks. Here are some tips on making the best of these breaks! After about 20 to 25 minutes of focused, distraction-free practice (one “Pomodoro” if you are hip to the Pomodoro... »

  • Creative Bass Lines: The Chameleon Variations

    Creative Bass Lines: The Chameleon Variations

    In this lesson, I’ve taken a pretty classic and fairly easy to play bass part from Herbie Hancock’s “Chameleon” and given you a few examples of how to use that as a springboard for creating other bass lines around that core groove. This can be really useful when playing under multiple soloists on the same... »