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Bass Lessons - Page 3

Keep It Groovy: Learn Minor Triads and Make Them Groove (Key Of A)
Keep It Groovy

Keep It Groovy: Learn Minor Triads and Make Them Groove (Key Of A)

In this “Keep It Groovy” lesson, we take a look at minor triad shapes on the bass and figure out how to transform them from an exercise to a groove.

Keep It Groovy: Learn Major Triads and Make Them Groove (Key Of A)
Keep It Groovy

Keep It Groovy: Learn Major Triads and Make Them Groove (Key Of A)

In this “Keep It Groovy” lesson, Ryan Madora takes a look at major triad shapes on the bass and figures out how to transform them from an exercise to a groove.

Keep It Groovy: Using Open Strings: How To Play A Slow Blues In C
Keep It Groovy

Keep It Groovy: Using Open Strings: How To Play A Slow Blues In C

Today’s “Keep It Groovy” lesson is all about versatility, understanding the fretboard, and integrating open strings. This one piggybacks off a previous lesson on playing a slow blues. This time, we’ll find the bass part in a different position.

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Tapping Technique and Composition: Tapping Chord With Melodies on “Riches to the Conjuror”
Tapping Technique and Composition

Tapping Technique and Composition: Tapping Chord With Melodies on “Riches to the Conjuror”

The final installment of John Ferrara’s excellent “Tapping Technique and Composition” lesson series on No Treble is here. In this episode, John shows one way that we can accomplish playing a melody on top of an arpeggiated chord progression.

Keep It Groovy: Integrating Concepts In Our Walking Bass Lines
Keep It Groovy

Keep It Groovy: Integrating Concepts In Our Walking Bass Lines

In this “Keep It Groovy” lesson, Ryan Madora plays through a very common chord progression in jazz and pop, the 1-6-2-5 chord progression. We’ll learn how to integrate different concepts to begin building a walking bass line.

Keep It Groovy: How To Play An Easy Slow Blues In C
Keep It Groovy

Keep It Groovy: How To Play An Easy Slow Blues In C

In this bass lesson, Ryan Madora keeps it groovy with a nice slow blues in the key of C. She focuses on an incredibly common bass pattern for a slow blues that can also be sped up and adapted to a blues shuffle.

Tapping Technique and Composition: Percussive Bass Tapping on “Riches to the Conjuror”
Tapping Technique and Composition

Tapping Technique and Composition: Percussive Bass Tapping on “Riches to the Conjuror”

For his newest “Tapping Technique and Composition” lesson, John Ferrara says, “Let’s turn the bass into a drum, shall we?” The technique used in this lesson is his new favorite to play with in a solo bass setting.

Keep It Groovy: Minor Rumba Blues In A
Keep It Groovy

Keep It Groovy: Minor Rumba Blues In A

This “Keep It Groovy” lesson is all about diversifying your blues repertoire. Ryan Madora shows us a rumba rhythm played in a minor key to create a different kind of groove.

Tapping Technique and Composition: Tapping Polyrhythms, Part 2 – Zeroes and Ones
Tapping Technique and Composition

Tapping Technique and Composition: Tapping Polyrhythms, Part 2 – Zeroes and Ones

In this new “Tapping Technique” bass lesson, John Ferrara shares part 2 of his “Tapping Polyrhythms” series. This lesson is based on one rhythm doing 3 and one doing 2. Check this out.

Keep It Groovy: “Go Your Own Way” by Fleetwood Mac
Keep It Groovy

Keep It Groovy: “Go Your Own Way” by Fleetwood Mac

In this “Keep It Groovy” lesson, Ryan Madora dissects the fantastic melodic bass line to “Go Your Own Way” by Fleetwood Mac. John McVie’s line perfectly outlines the chord progression and provides a nice contrast to the verses.

Tapping Technique and Composition: Tapping Polyrhythms, Part 1 – Zeroes and Ones
Tapping Technique and Composition

Tapping Technique and Composition: Tapping Polyrhythms, Part 1 – Zeroes and Ones

In this new “Tapping Technique and Composition” bass lesson, John Ferrara focuses on tapping polyrhythms. In part 1 of this series, he uses his song, “Zeroes and Ones,” to demonstrate.

Keep It Groovy: G Major Scale Across Two Octaves
Keep It Groovy

Keep It Groovy: G Major Scale Across Two Octaves

In today’s “Keep It Groovy” lesson, Ryan Madora goes over two popular major scale shapes and a great way to connect them to play over two octaves. Ryan focuses on what she calls the “4-fret span” and “5-fret span” shapes.