Columns: How Tos, Advice & Lessons for Bass Players
Columns - Page 44
Bass Players to Know: Richard Bona
While the past few Bass Players to Know columns have focused on blues, rock, and soul of the US and UK, it’s about time we discover what the rest of the world has to offer. Whenever I think about “world music,” or the sounds, styles, and instruments of different cultures, I frequently stumble upon records featuring Richard Bona. His playing...
Exploring Practice with Non-Standard Bass Tunings
Q: I know some pros play using non-standard tuning (drop D, DADG, D standard DGCF, semitone E?A?D?G?, etc.), and I read somewhere that practice with other tunings can be good to help think in terms of the notes rather than finger patterns. What is your take? Is it a good idea to practice using non-standard tunings? A: Non-standard tunings are...
Quickly Figuring Out Available Notes For Given Chord Types
Q: I’ve been trying to learn how to figure out what notes are available for any given chord type. I’ve read columns here (yours are very helpful), Googled it, bought books… I just seem to get more confused at every turn. Once I think I’ve got it, I’ve lost it. Do you have any quick and dirty tricks for remembering...
Improving Your Musical Ears
Being a musician requires a great number of skills. However, the aural component is by far the most prevalent. So, to perform at the highest levels, we must have good listening skills. Ultimately we need to hear, and understand, exactly what is happening around us. Only when we can do this can we respond in our most communicative and artistic...
The Lightbulb Moment: A Quarter Note For Your Thoughts
Here we are, smack dab in the middle of the college admission process — the worst part about being in high school. Clearly, a full day of classes followed by extra-curricular activities and homework isn’t enough to deal with; there are standardized tests to study for, essays to write, schools to visit, interviews to prepare for, and meetings with your...
Learning Music: To Pursue a College Degree (Or Not)
Q: What I want to know is this: by not pursuing a higher education in music (music college), what am I missing out on and what is most important to take away from that experience? A: Professionally speaking, a degree in music won’t do anything for you unless you are are shooting for a career in education. If education is...
Reader Question Roundup: Legato Playing, Short Practice Schedules and Playing Complex Music
I’m sitting in my hotel room in Lincoln, Nebraska and sifting through my file with all the questions submitted by readers I have yet to answer. Three of them were short enough to put together a “reader question roundup”. I thought this would be a nice change of pace – and one that would allow me to answer important questions...
Challenges to Good Intonation in a Live Situation
Good intonation is a lifelong concern for every double bassist. We train our ears, we work constantly to match pitch, and we devote large sections of our individual practice sessions to improving it. Among other things, the sheer size of the instrument demands our constant attention to pitch. Sometimes though, even players who normally have impeccable intonation can have issues...
Lightbulb Moment: The Power of the Pedal Tone
It’s January 2nd. A brand new year is on the horizon as I stroll through the airport, leaving my hometown once again after the conclusion of the holidays. The airport isn’t as busy as I had anticipated and thanks to my nervous and obsessive nature, I showed up far too early. Lucky for me, I’ve got plenty of time to...
A Discussion on Slap Bass Tone and Technique
I get a an insurmountable number of emailed questions asking about slap tone and technique. While I have mentioned dozens of times in various columns that I never really explored the slap side of bass, I have fiddled with it enough, in addition to knowing quite a few fantastic slappers. I know how to get the tone, I just never...
Thinking In Modes or Scales and Constructing Bass Lines
Q: I’ve been trying to learn how to play over the changes, but I’m super confused about one particular aspect: I don’t know I should think of scales. For example when I’m playing over a G dominant chord, should I think G mixolydian or should I think fifth mode of the C major scale? In other words, should I treat...
Improving Practice: 4 Pitfalls to Avoid in the Practice Room
We learn and grow musically from a variety of sources. Teachers, performances, fellow musicians, etc. all play a role in our progress, but our most direct improvement comes from our time in the practice room. That’s why spending time practicing each day is so important. Sometimes, however, even when are putting in time daily, we don’t see results. There can...











