Columns: How Tos, Advice & Lessons for Bass Players
Damian recently had a conversation with a student who wasn't feeling inspired musically. Damian asked him what he was listening to, and discovered the problem was a lack of exposure to new ideas and music. So he wrote this week's column in response to that.
We’re thrilled to announce our long-running “Custom Shop” column is being taken over by Jake Serek of Serek Basses. For Jake’s first entry, he takes a look at the work of Pete Hilton and Hilton Guitars.
This week a reader asks Damian for advice on how to “organize material and approach a solo without sounding scholastic or predictable.” Check out what Damian has to say on the subject.
As of tomorrow, we’ve been publishing for 10 years, and this has always been a topic in the comments. (A little less now, but still a thing.) This week, Damian tackles a question from a reader: “Why Isn’t Solo Bass More Accepted?”
This “Bass Players To Know” column focuses on one of Ryan’s personal favorites: Tina Weymouth. Tina’s bass parts make for records that have withstood the test of time.
A reader asked Damian for advice on the subject of “microtime” this week. Damian offers advice on learning different time-feels in this column.
A reader asked Damian “How did you come to settle on your voice?” While Damian has written about fostering the development of your “voice” in the past, he’s never covered what your “voice” really is. So that’s what he did in this new column.
For this week’s “Ask” column, Damian decided to do it as more of a PSA - on musicianship, serving the song, and a trend he’s seeing that is sometimes counter to those things. Check out what he calls “Mugging for the Camera on Stage”
A reader sent Damian a question about the terms that apply to meter and pulse, and the confusion he’s having around this topic. Damian offers up his perspective in this “Ask” column.
Ryan’s new “Lightbulb Moment” started out with a question: “Is there one song that contains an exemplary amount of bass playing knowledge?” She picked one and broke it down completely. (The tune may come as a surprise!)
This week’s “Ask” question starts like this: “How do you switch between 4/5/6 strings when the low E has been ingrained in my memory?” Check out what Damian has to say about making the switch.
A reader is dealing with a bandleader (pianist) who is rewriting the bass parts and asking them to be played that way. He asked Damian for advice on how to cope with this situation. Check out what Damian has to say.