Bass Gear - Page 131

This week we’re checking out a stunning Armada bass by Jillard Guitars. The bass has a multi-scale neck running from 36.75 inches to 34 inches with slanted frets to adjust for each string.

Crazy Tube Circuits has expanded their lineup of pedals with the Cyclone Phaser. The all-analog pedal is voiced after classic phasers with four voicings from the ’70s and ’90s.

So far, Fodera’s Masterbuilt series has used their existing bass shapes as a canvas for ornamental design. The latest in the line changes that. The Masterbuilt Crescent is inspired by the company’s AJ Presentation Hybrid but with some drastic changes.

Tech 21 is continuing to celebrate its 30th anniversary with the release of the PSA 2.0, which builds upon the original PSA-1 rackmount. Useful for nearly any instrument, the unit has been reimagined into a floor unit.

Bergfels Guitars, founded by builder Stefan Kirchner, recently completed a custom bass for bassist John-Eric. At first glance, it seems fairly traditional, but further inspection reveals tons of modern features.

Eastwood Guitars is expanding its Rivolta line with its first bass guitar, called the Combinata Bass VII. Designed by Dennis Fano, it is based on the same body shape as their six-string Combinata.

G&L Guitars has unveiled a new short-scale four-string called the Fallout Bass Launch Edition. The 30-inch scale instrument comes in three colors – British Racing Green, Miami Blue, and Racing Yellow – each with competition stripes.

After teasing it for several days, Fender has unveiled the American Ultra Series, which they call their “most advanced” line of basses. The series is defined by new Ultra Noiseless Vintage pickups, newly-designed body contours, and faster playing necks.

Darkglass Electronics may be known for their distortion circuits, but their first design was a clean preamp. Now they’ve brought the pedal back to life with the Harmonic Booster 2.0.

We recently shared the modern half of Frederiek de Vette’s “new school versus old school” two-bass build. Now we’re taking a look at the more traditional instrument.

EBS has reinvented two of their effects pedals in their “Blue Label” series. The OctaBass Blue Label octave pedal and BassIQ Blue Label replace their classic stompboxes.

Fuzzrocious Pedals has introduced a new pedal to their lineup called the Egg Sack. The unit features the boost, drive, and distortion portion of their Playing Mantis that was introduced earlier this year.