Bass Lessons - Page 34
Talking Technique: Killer Dead Note Grooves
Dead notes are percussive effects that can really liven up a groove. There are a variety of ways to create them, including left-hand muting, right-hand percussion, and left-hand percussion. For this lesson we examine how dead notes (and silence) affect the groove. As is often the case, a good way to begin practicing them is by utilizing scales. We’ll be...
Talking Style: The Tresillo Rhythm
The tresillo is derived from the fundamental Latin music groove called “habenera”. It can also be thought of as a variation on the Afro-Cuban son clave. Ragtime pianist and composer Jelly Roll Morton famously called the tresillo that “Spanish tinge” that is a necessary ingredient for New Orleans jazz. The prominence of the tresillo in African-American music traditions and, particularly...
Talking Technique: Tetrachord Workout
Similar to our last lesson, we’re working on exercises designed to shed your scales and build your technique at the same time. This time we’re focusing on tetrachords, which are four-note groups found within scales. You can also turn these exercises into speed training exercises by adding a few beats every time you play, but be sure not to go...
Advanced Bass: Anatomy of a Groove
What exactly is a groove? Aside from attempting to teach feel, which is predicated on stylistic interpretation and flight time on the bandstand, a groove is a repetitive idea – often organized into two, four or eight bar phrases that is based on the harmonic rhythmic and melodic content of a song. Often when coming up with an idea, bass...
Bass Transcription: Mattia La Maida’s Solo Bass Arrangement of David Bowie’s “Ziggy Stardust”
When David Bowie passed away, I wanted to pay tribute with a solo bass arrangement of one of his songs. I personally consider Bowie one of the greatest artists in the world. He was in fact a great musician, actor, and painter. Among other things, the eclectic nature of his music was characterized by the creation of several different imaginary...
Talking Technique: Pedalling
There are only so many hours in the day, so it’s always great to figure out ways to make the best use of your practice time. One way to get the biggest use of your practice is to combine different topics to bolster your understanding: music theory with song learning, rhythmic accuracy with slapping, phrasing with fretboard knowledge, and so...
Talking Technique: Introduction to Pull-Offs and Hammer-Ons
Hammer-ons and pull-offs are extremely handy techniques that add variety to your groove and tone. They each utilize the left hand to perform the next note to allow for some slick fretwork. For this lesson, we have some technical and musical exercises that will strengthen your left hand and get you used to each technique. Don’t miss the tip of...
Advanced Bass: Playing over Minor II V Patterns
In this Advanced Bass lesson, we’re diving into the realm of playing over minor II V patterns. I’m including a solo etude along with two skill developing drills as we work step by step through a common chord progression. This lesson includes an easy to follow chart (PDF) detailing the specifics of this lesson providing you with a valuable resource...
Talking Technique: One Finger Per Fret In The Lower Register
The lower frets on the bass are arguably the ones we use the most, but they’re also the largest frets. That makes it difficult for us to apply our “one finger per fret” rule in the lower register. So how can we overcome this physical obstacle? We’ll go over some exercises to get your fingers in shape for the low...
Talking Technique: Harmonic Minor Speed Shedding
As with many scales, the harmonic minor scale gives us a great tonal playground to work with, but it also gives us a great platform to work on our technical playing. This lesson will work on some J.S. Bach-inspired harmonic minor bass lines to focus on our coordination and speed training. There’s nothing like a fun technical exercise! If you...
Talking Technique: String Jumping Exercises
Bass grooves often have lines that move across strings on the same fret. To keep a smooth and legato feel, we need to focus on the technique of jumping from string to string. Here we’ll dig in on a few exercises with plenty of variations to get all your fingers in shape. Today’s tip is on getting an even attack...
Advanced Bass: Chord Superimposition
In this lesson we’ll cover an effective concept of superimposing melodic lines over multiple chord types. We’ll then develop this idea through the introduction of a technique called “framing,” which will enable you to hear the chord you are playing over with more harmonic clarity. This concept will enable you to expand your ideas and end up with more mileage...











