Bass Lessons - Page 34

In this lesson we’re going to focus on a style known as finger-style funk (or “finger funk”), with the goal of developing both dexterity and accuracy in your playing. Finger-style funk is typically centered around the 16th note, and many of the notes are muted. You’ll notice in the notation for this lesson that those muted notes are indicated with...

In my last lesson, we covered the topic of improvising over a minor 7 chord. This time around, we’re going to focus on improvising over a minor key progression. For this lesson, we’ll use this progression: | Am7 | G7 | FMaj7 | FMaj7 Bm7b5 | For this particular progression, you can play the A minor Aeolian/A minor pentatonic scale,...

Today, I’m kicking off a new Practical Theory lesson series, starting with an approach to improvising over a minor 7 chord. In the video below, I demonstrate a solo groove before describing the approach. In jazz, funk, and rock, if a solo section consists of a static minor 7 chord, most often the Dorian minor scale is used. The Dorian...

In this installment of our new bass lesson series, we’re focusing on a slap-based, percussive bass technique widely known as “Double Thumbing” or the “Victor [Wooten] style”. This technique involves an approach to slap where you hit the string with your thumb and follow through, landing on the next string. So the first note – an open E – would...

In this third and final installment of the Practice Tips for Scales series, we continue our look at the Major tetrachord formula to practicing scales. (Be sure to check out Part 1 and Part 2). This week, we dive into arpeggios, using consistent patterns to repeat on the upper register of the neck. Once we get comfortable with the pattern,...

This week, we’re continuing where we left off with Part 1 of this series, covering the Major tetrachord formula to practice scales. This week, we expand on the basics by covering various finger patterns and covering the entire neck. As part of this exercise, we’ll also skip notes in the scale, playing in thirds, fourths, fifths, and so on, to...

Practicing scales in a musical way helps keep things interesting. In this lesson, we kick off with some tips for practicing scales by using different intervals, arpeggios and fingerings. We’re also introducing a new approach to looking at the Major scale formula. Normally, we view it as 7 different steps (8, if you count the octave): G A B C...

Our Facebook friend Ryan Pusiak posted a question on our Facebook page, asking about the best way to go about converting a fretted bass into a fretless one. So we decided it was a great opportunity to feature the series from Jason Holder, one of the guys at The Musician’s Den in Evansville, Indiana. Jason really breaks down the process...

Continuing our series on slap bass, today we’ll combine several of the elements from the first five lessons in this series, and add “octaves” to the mix. FYI, in this lesson, I’m paying a Shergold Modulator bass. If anyone know where to get modules for it, please let me know in the comments below. Check out the entire Slap Bass...

Today, we continue the Slap Bass 101 series, adding the basic “funk/rock scale” – the minor pentatonic, with trills, to what we’ve learned so far. Check out the entire Slap Bass 101 series: Part 1: Slap Bass Introduction Part 2 – Building on the Basics Part 3 – Left Hand Slap & Hammer-Ons Part 4 – Right Hand Pluck/Pop

In this lesson, we’ll build on the concepts in Part 3 and add the right hand pluck/pop. Next time: Funk/Rock Scale Basics! In case you missed them, here are Parts 1-3: Part 1: Slap Bass Introduction Part 2: Building on the Basics Part 3: Left Hand Slap & Hammer-Ons

This week, we continue building on the foundation established in Part 1 (the basics) and Part 2 (building on the basics), and add left hand slap concepts and hammer-ons. Next: Right hand pluck and pop