Latest from Ryan:
We’ve all heard that James Brown was the hardest working man in show business, but in the world of bass players, there’s no doubt in my mind that this title would go to Bryan Beller. He’s the focus of Ryan’s new “Bass Players to Know” column.
Creating your own arrangement of an existing song is a great way to explore your bass, challenge yourself musically, and establish your personal voice. That’s the topic of Ryan Madora’s new “Lightbulb Moment” column.
Ryan’s new “Bass Players to Know” starts this way: “Four years, three records, and a legacy that lives on forever.” The bass player is Cliff Burton. Check out what Ryan has to say, and share your favorite tracks featuring Cliff.
Ryan is back with a new “Lightbulb Moment” column, this time focusing around the solo. And not just the bass solo, but what we can also do to support the drummer (and other soloists) too.
Keeping good company is a common theme of Ryan Madora’s “Bass Players To Know” column. Her latest BPTK - Jimmy Johnson - does just that. Check out what Ryan has to say (including some of her favorite tracks) and add your own to the list.
Ryan's long-running “Lightbulb Moment” column series is back with a new entry. This time around, Ryan focuses on the art of “taking it slow,” with an emphasis on all aspects of music - and life.
This “Bass Players To Know” column focuses on one of Ryan’s personal favorites: Tina Weymouth. Tina’s bass parts make for records that have withstood the test of time.
Ryan’s new “Lightbulb Moment” started out with a question: “Is there one song that contains an exemplary amount of bass playing knowledge?” She picked one and broke it down completely. (The tune may come as a surprise!)
Harmonically clever and tonally unique, Ross Valory’s playing can be heard on most of Journey’s catalog and the hits that we know and love (or have heard a thousand times), certifying him as the latest Bass Player to Know.
Some people call it “serving the song.” In Ryan’s new “Lightbulb Moment,” she talks about playing inside - and sometimes - outside the box, including covering the literal box patterns on bass.