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Bass Lesson Archives - Page 3

Talking Technique: Alberti Bass
Talking Technique

Talking Technique: Alberti Bass

Do you know what an “Alberti Bass” is? If you play electric bass (rather than cembalo in the 1700’s), you are excused if you don’t. That does not mean that we cannot use this keyboard figure to inspire some heavy duty technique shedding: string crossing, right-hand shedding, and coordination. In this lesson, we’ll go over these Alberti-inspired figures over the...

Bass Transcription Analysis: “I Start With The Blues” Bob Mintzer Sax Solo, Part 4
Creative Bass Lines

Bass Transcription Analysis: “I Start With The Blues” Bob Mintzer Sax Solo, Part 4

Our fourth installment on Bob Mintzer’s “I Start With The Blues” solo is a discussion of the crucial chord on bar 8 of a typical jazz blues. Almost always this is a vi chord – so in an F Blues like this one, it’s a D7 ( D dominant 7). In Letter A Bar 8 finds a D7 #9 chord...

Bass Transcription Analysis: “I Start With The Blues” Bob Mintzer Sax Solo, Part 3
Creative Bass Lines

Bass Transcription Analysis: “I Start With The Blues” Bob Mintzer Sax Solo, Part 3

Don’t be afraid to make some notes on your transcription! By that I mean to write in where there’s a cool diminished lick, a nice ii-V line, etc. If there’s a cool lick – outline that, and identify stuff you want to come back to. It’s so valuable to learn licks through the cycle of 4ths, so we’ll be taking...

Bass Transcription Analysis: “I Start With The Blues” Bob Mintzer Sax Solo, Part 2
Creative Bass Lines

Bass Transcription Analysis: “I Start With The Blues” Bob Mintzer Sax Solo, Part 2

For our second installment focusing on Bob Mintzer’s solo from “I Start With The Blues,” we’ll be focusing mainly on transposing a line through different keys and why we do that. This is really important and something I touched upon in part one, too. It goes without saying that jazz standards and indeed tunes from all genres are in different...

Bass Transcription Analysis: “I Start With The Blues” Bob Mintzer Sax Solo, Part 1
Creative Bass Lines

Bass Transcription Analysis: “I Start With The Blues” Bob Mintzer Sax Solo, Part 1

I’m kicking off a new series here for Creative Bass Lines. In this episode, we’ll take a look at a really great solo over a jazz 12 bar blues – performed and transcribed by sax great Bob Mintzer! We’re really fortunate to have this music for our lessons. Bob very kindly agreed to let me share this with you, so...

Talking Technique: Sweet Emotion
Talking Technique

Talking Technique: Sweet Emotion

There’s nothing like starting a song with a cool bass riff. “Sweet Emotion” by Aerosmith shines a light on the bass for sure! At the very top, we set the tone. To play this riff correctly and in time right out of the box is what it’s all about. How to approach learning something like this? Only playing the riff...

Stuart Clayton: Bass Lick of the Week #1 – Funk Groove
Bass Videos

Stuart Clayton: Bass Lick of the Week #1 – Funk Groove

Our friend Stuart Clayton recently made the exciting announcement that he’s kicking off a year-long series entitled “Bass Lick of the Week.” Here’s the first entry in the series, focused on playing a funk groove with a pick. “Each week I’ll be uploading a new video where I demonstrate an original bass groove – with on-screen notation – then talk...

Creative Bass Lines: Increasing Fingerboard Knowledge – Part 3: Minor Arpeggios
Creative Bass Lines

Creative Bass Lines: Increasing Fingerboard Knowledge – Part 3: Minor Arpeggios

Continuing our series on increasing fingerboard knowledge, here’s the accompanying Minor Arpeggio Exercises to play all across the fingerboard. This is the same principle as the Major types. I’ve given you a number of variations to try, and you’ll see this gives you more options when playing over a minor chord type. As usual, practice everything slowly, paying partucular attention...

Creative Bass Lines: Increasing Fingerboard Knowledge – Part 2: Arpeggios, Major 7ths & Beyond!
Creative Bass Lines

Creative Bass Lines: Increasing Fingerboard Knowledge – Part 2: Arpeggios, Major 7ths & Beyond!

We have not one, but two lessons for you this month! In this lesson, I’ll talk you through major 7th, then 9th, ?11th and 13th arpeggios, which follows part one (“Triad Visualization”). I am a firm believer in learning these concepts in multiple ways/fingerings – it all goes to increase our overall knowledge of the fingerboard, and that’s a good...

Advanced Bass: How to Play Across the Bar Line
Advanced Bass

Advanced Bass: How to Play Across the Bar Line

In this lesson, we’ll take a deep dive inside the world of playing across the bar line. Equally as relevant for both your solo lines and your groove playing, we will cover how to play across the bar line by using “Time Signature Superimposition” that will take your phrasing to a whole new and exciting level. Follow along with this...