Bass Pedal Archives - Page 24

Ten years after their last release, Emma Electronic has unveiled the ON-1 Okto-Nøjs. The octave/fuzz pedal features an all-analog circuit that works well on both bass and guitar. It has separate footswitches for the octave and fuzz effects for flexibility. Controls include Dry, Okto, and Tone for the octave section with Gain, Tone, Color, and Nøjs for the fuzz. Level...

Crazy Tube Circuits has unleashed a new bass overdrive called the Planet B. The pedal is described as being “voiced after a ’70s high wattage guitar tube amp that was also used on bass guitar in rock, doom, sludge and stoner bands.” The Planet B has straight-ahead controls with a Gain knob, Master Volume knob, Blend knob for mixing clean...

BBE’s Sonic Stomp now comes in a compact pedal called the MS-92. The stompbox is a pedalboard-friendly version of their Sonic Maximizer, which is designed to improve clarity and definition in your signal. It features the same all-analog processor as the larger SS-92 with a new circuit board and control layout for a smaller chassis. It has two controls: Process...

Positive Grid has expanded their BIAS amplifier processing technology into the BIAS Distortion Pro Pedal. The tone-matching distortion pedal works for guitar and bass by emulating the circuitry of any distortion. “With BIAS Distortion pedal, users can easily match their favorite distortion, overdrive, fuzz, and boost pedals’ tones,” the company writes. “BIAS Distortion integrates with BIAS Pedal’s Tone Match technology...

Fuzzrocious Pedals has unveiled the M.O.T.H. pedal, which stands for Multi Overdrive Tremolo Hex. The pedal combines an overdrive, fuzz, tremolo, and noise machine oscillator into one cohesive package. It starts with an overdrive circuit that is set up for low-medium drive, which “pushes into a power amp IC which provides a blast of volume,” the company writes. When turned...

Effects pedal company Iron Ether Electronics has announced the Divaricator, a crossover and exciter pedal for bass that they call a “tone toolbox” for bassists. The pedal, which also includes an effects loop, splits your signal up to process it. “Using its 4th-order variable crossover, the pedal splits a signal into high and low frequency bands, and processes the high...

Eden Amplification has expanded their pedal lineup with the Astroflange, a flanger designed specifically for bass. It has four controls that allow for dialing in the effect and choosing which frequencies are affected. “Velocity and Altitude controls adjust the overall parameters of the flanging effect, while the Low Cut control allows you to fully control where in the frequency band...

Electro-Harmonix has made a bass version of their Small Clone chorus pedal called the Bass Clone. While the core circuitry is nearly identical to the original, the new pedal has been tweaked to add special features for bassists. Most notably it allows for more control over the affected parts of the signal. Besides Depth and Rate controls, it has a...

After introducing the EFX version earlier this year, Radial is continuing to work on its Bigshot pedal series with a new redesign of the Bigshot i/o. The stompbox is a instrument selector that allows for switching between two basses plugged into the same amp. Each input can be selected quickly via footswitch. Input 2 is fitted with a level control...

Beetronics has launched its first handmade effects pedal line including the WhoctaHell, a low-octave fuzz with independent controls for each effect. “Its overdrive/fuzz is summed up with a gnarly, squared-wave low octave, resembling an 8-bit bass synthesizer,” the company writes. “Its octave has a range of one or two low octaves, selectable by a toggle switch and also has it’s...

Germany’s Rodenberg Custom Amplification has expanded their lineup of effects with the Commander distortion pedal. Apt for bass and guitar, the pedal is described as the logical development following the company’s GAS Overdrive series. “While the GAS-808 is designed for overdrive sounds, the Commander’s home is distortion,” Rodenberg writes on their website. “But you can also dial down to overdrive...

The mad scientists at DigiTech have unleashed the Dirty Robot, a stereo mini-synth effect for bass and guitar. The pedal features seven controls and two synth voices: straight envelope-style synthesis (V1) or vocal formant synthesis (V2). “We designed the Dirty Robot to provide guitarists or bassists with a slew of synth effects in a small footprint,” DigiTech’s Tom Cram says....