Electro-Harmonix has unveiled the Nano Operation Overlord, a distortion/overdrive in a compact chassis. The stompbox is versatile in application thanks to a three-position switch that sets the input level to make it compatible with bass, guitar, and more.
Xotic Effects has unveiled a new line of volume pedals with two options. The XVP-250K comes in gold metallic and has a 250K pot for passive instruments while the XVP-25K comes in Hammertone red and has a 25K pot for active instruments.
Red Witch Pedals has unveiled the Synthotron II, a pedal featuring dual analog synth oscillators. Each of the oscillators has independent level, decay, and octave switching.
Boss has expanded its line of digital delays with two new units: the DD-3T and DD-8. Each of the pedals replaces the company’s previous units by adding new features to their palette.
MXR has added to their Custom Shop fuzz lineup with the Brown Acid Fuzz, a pedal that “delivers psychedelic silicon saturation to guitar and bass players who like it low, slow, and heavy.”
Trickfish Amplification has added a new preamp pedal to their lineup called the Minnow. The new bass preamp features the company’s Bullhead EQ section from its larger amplifiers.
Death By Audio has teamed up with The Black Angels and the Levitation Festival to create Phosphene Scream, a “space trippin’ delay, and reverb effects pedal.” The unit was designed to pay homage to psychedelic rock legacy of Austin, Texas.
Hot on the heels of their C4 Synth pedal, Source Audio has introduced the Spectrum Intelligent Filter, which they call an “all-in-one filter extravaganza.”
MXR has unveiled a new pedal called the Clone Looper. The minimalist design has two footswitches to toggle between recording and play/stop, but that doesn’t reflect all of its capabilities.
Fuzzrocious Pedals and Electronic Audio Experiments have teamed up for their first collaboration. The resulting pedal is called the Wicked Jawn, which includes slang from each of the builders’ local cities.