That riff from Chick Corea’s “Spain,” played between the solos and as part of the head, is as catchy as it is tricky. Ari gets frequent requests for help on that section, so she breaks it down, step by step, in this new episode of “Talking Technique”
This week, a reader asks Damian for advice on mastering the three-finger technique. This is something Damian has spent a lot of time on and offers up a great how-to for exploring every possible variation.
In episode #60 of Talking Technique, Ariane Cap breaks down how Geddy Lee uses power chords in Rush’s “Dreamline,” with a quick harmonic run down, tips for fingering, technical execution, and practice.
Damian answers this question in this new “Ask” column this week: “I got a 6-string not too long ago and I’ve been having a hard time with string ring... Is there anything I can do about that?”
In this video, we’ll take a quick look at the usefulness of one of the lesser used fingers… the plucking hand’s pinky!
For the next few weeks, we’ll be going over some more lesson oriented topics. I’m kicking off the series with a look at percussive techniques on the bass, specifically using your plucking hand. There are some easy techniques to approach as well as some more difficult ones. Work on these slowly with a metronome starting with the basic patterns before...
Here is a cool modern retro disco funk riff that will help you optimize your octaves. A cool slide in the middle inspires more ideas for creative explorations and technique shedding. The transcription will help you out, but follow the step-by-step way to break it down and make it manageable. Practicing technique the groovy way!
Short-scale basses have recently enjoyed a bit of a resurgence – be it as an alternate tool in a pro’s kit or as a main axe chosen for its sound, lightweight, easy playability and hip factor. In this episode, we’ll explore some right-hand, left-hand, and coordination drills that will help you wrap your mind around the shorter scale. I’m using...
Do you know what an “Alberti Bass” is? If you play electric bass (rather than cembalo in the 1700’s), you are excused if you don’t. That does not mean that we cannot use this keyboard figure to inspire some heavy duty technique shedding: string crossing, right-hand shedding, and coordination. In this lesson, we’ll go over these Alberti-inspired figures over the...
Today’s episode is all about thinking inside the box. Pentatonic box shapes only on the G and D string are easy to finger and make for quite the pizzazz when you lay them over a variety of chords. Check out the PDF to guide you along the easy shape and what colors you introduce using them with various chords.