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Technique Archives - Page 4

Talking Technique: Efficient Practice Hacks #5: Mnemonics – Part 2
Talking Technique

Talking Technique: Efficient Practice Hacks #5: Mnemonics – Part 2

More memory tools for bass players! This is part two in my mini series on Bass Mnemonics. Mnemonic – hard to say the word – but endlessly useful! You can take a look at part 1. Here is more… and a time-limited bonus for you at the end! Eartraining: Song beginnings are a great way to remember intervals. Maybe you...

Talking Technique: Efficient Practice Hacks #5: Mnemonics – Part 1
Talking Technique

Talking Technique: Efficient Practice Hacks #5: Mnemonics – Part 1

Harness the power of these creative time tested memory tools. They will enrich your bass playing and are useful for all walks of life. A mnemonic is any idea or device that aids in remembering something. Maybe you are familiar with “Large Elephants Jump Slowly And Sink Rapidly” – helping US students remember the seven articles of the United States...

Finger Substitutions
The Lowdown with Dr. D

Finger Substitutions

When we play the same note, usually on the same string, consecutively, but with different fingers, it is called a finger substitution. For example: This technique is most often employed is when we want to avoid shifting within a slur. While we should be able to shift silently within a slur, it is sometimes musically more appealing, or simply cleaner,...

Talking Technique: Efficient Practice Hacks
Talking Technique

Talking Technique: Efficient Practice Hacks

Are you (like me) always on the hunt for the latest and most efficient practice “hacks”? Today I am starting a series here on Talking Technique introducing you to my personal favorites. Some of them are quite unexpected, and I encourage you to try them and see the results for yourself. Some go back to ancient wisdom, and science has...

Talking Technique: Beautiful Practice in Minor
Talking Technique

Talking Technique: Beautiful Practice in Minor

Last July, I published a Talking Technique lesson called “Beautiful Practice“. It recently made a reader’s favorite list for 2016 here on No Treble thanks to your likes, shares, and comments. Thank you for that! The lesson brought together music theory, comprehensive fretboard knowledge, and lots of technique aspects. I thought we’d bring the lesson back with a twist, namely...

Talking Technique: The One-Finger-Per-Fret Controversy
Talking Technique

Talking Technique: The One-Finger-Per-Fret Controversy

Some people are afraid for their fingers, while others swear by it: the one-finger-per-fret position. Is there is a reason to fret “one-finger-per-fret”? Not if done right. Is it worth getting it down? Yes! [Read to the end for “Practice-with-me” videos.] I definitely recommend having a solid grip (so to speak) on the one-finger-per-fret method. Practicing this way has numerous...

Talking Technique: Pull Off Pentatonics
Talking Technique

Talking Technique: Pull Off Pentatonics

Pentatonics using hammer-ons and pull-offs sounds great, but maybe you have noticed that if you stay within the same pentatonic pattern, you can only hammer on certain notes. In an effort to go beyond that, we are stringing two pentatonic patterns together so that we can pull off pull offs from every single note. I’ll show you two major pentatonic...

The Lightbulb Moment: New Routes
The Lightbulb Moment

The Lightbulb Moment: New Routes

If there’s one thing I can’t stand, it’s traffic. Anyone living in, visiting, or planning to move to Nashville has become burdened by the time wasting, frustrating, 4-hour rush hour that is seemingly inescapable. I’m no stranger to the woes of metropolitan areas, the growing pains of urban development, and the high concentration of oversized vehicles, but this city has...

Talking Technique: Octaves on Overdrive
Talking Technique

Talking Technique: Octaves on Overdrive

Today we’re going to go over a few tips on how to spice up a groove using octaves. Of course, we’ll focus on good fingering practices to make the notes sound smooth and connected. You can use this technique when practicing rudiments and scales, but check out this PDF to work up an example using one- and two-chord grooves.

Talking Technique: Changing Technique Habits – What it Takes
Talking Technique

Talking Technique: Changing Technique Habits – What it Takes

There is a step by step process that can help you change ingrained habits. It is a fast and effective technique to practice just about anything so effectively that it can become addictive. But it is also a great catalyst for changing ingrained habits. That is good news, because if you have ever tried to change a habit – be...

Talking Technique: Drills for Fills – Applied
Talking Technique

Talking Technique: Drills for Fills – Applied

In episode 22, we introduced a way of practicing scales that uses intervals rather than going up and down the scales themselves. We went over thirds, which gives you great materials for runs, fills, and solos. Someone asked in the comments if I could give some examples of how to use the material in a chord progression, so that’s what...

Talking Technique: The Pistol Grip
Talking Technique

Talking Technique: The Pistol Grip

If you’ve been following this column for a while, you know we place a lot of emphasis on the details of good technique, including the left hand. Sometimes, though, we go to see our favorite bass players and they have the “pistol grip”. So is it really necessary to use one finger per fret and good posture on the fretboard?...