Pedals & Effects - Page 3

Neural DSP unveils the Quad Cortex Mini at NAMM 2026, packing full Quad Cortex processing, a 7-inch touchscreen, and massive connectivity into a compact 3.3-pound unit.

Trace Elliot has unveiled a new Bass Overdrive Pedal designed to deliver tube-like grit while preserving low-end clarity and definition.

Tech 21 has teamed up with Geddy Lee on the Amalgamation Signature Chorus, a bass-focused chorus pedal with detune and multi-voice control.

Walrus Audio partners with Ian Martin Allison to introduce the Mantle, a premium analog bass preamp and DI featuring custom transformers, precision EQ, and studio-grade tone shaping.

The new Lusithand F1 brings NFP-style filter topology to a pedal, offering dual sweepable filters, resonance shaping, and studio-grade headroom for bass.

Nuclear Audio launches the Fission Drive, a dual-band bass and guitar pedal with independent high and low drives, effects loops, and signal splitting.

Recoder is Gamechanger Audio’s new sample-driven effects pedal, allowing players to record sounds and transform their tone in real time.

D’Addario expands its XPND line with new Core Pedalboards, offering fixed aluminum frames, cable management, and expansion-ready designs.

Tech 21 will reintroduce the SansAmp Classic for a limited run in 2026, reviving the original all-analog pedal that helped define direct bass tone.

Behringer has unveiled the Meatball, a fully analog envelope filter based on a classic with extensive controls, dual expression inputs, and an onboard effects loop.

The “Lost” Big Muff returns as JHS and Electro-Harmonix unveil the Big Muff 2, a newly discovered Op-Amp fuzz with huge bass response.

Death By Audio launches the Destroyer Series, featuring the Dream Station reverb/delay, Moonbeam Phaser, and Thee Treble Overload treble boost.