Pedals & Effects - Page 3

Nuclear Audio launches the Fission Drive, a dual-band bass and guitar pedal with independent high and low drives, effects loops, and signal splitting.

Recoder is Gamechanger Audio’s new sample-driven effects pedal, allowing players to record sounds and transform their tone in real time.

D’Addario expands its XPND line with new Core Pedalboards, offering fixed aluminum frames, cable management, and expansion-ready designs.

Tech 21 will reintroduce the SansAmp Classic for a limited run in 2026, reviving the original all-analog pedal that helped define direct bass tone.

Behringer has unveiled the Meatball, a fully analog envelope filter based on a classic with extensive controls, dual expression inputs, and an onboard effects loop.

The “Lost” Big Muff returns as JHS and Electro-Harmonix unveil the Big Muff 2, a newly discovered Op-Amp fuzz with huge bass response.

Death By Audio launches the Destroyer Series, featuring the Dream Station reverb/delay, Moonbeam Phaser, and Thee Treble Overload treble boost.

Empress Effects has released the Buffer++, a versatile utility pedal with 12 routing modes, a 30dB boost, input pads, and stereo loop options for complex rigs.

Fuzzrocious has combined the Grey Stache and Heliotropic circuits into one pedal. The Grey Stache/Heliotropic arrives January 15, with a 10-unit pre-release.

Origin Effects launches the BASSRIG Fifteen, an all-analog preamp and DI that recreates the full circuit and cab sound of the iconic Ampeg B-15 Portaflex.

Jack White’s Third Man Hardware and JHS Pedals unveil the Troika Delay, a mic and instrument delay loaded with transformers and console-style sliders.

Designed for acoustic-electric players, the Trace Elliot Acoustic Clarity pedal adds harmonic depth and true bypass performance.