Fuzz Archives - Page 6

Fuzzrocious Pedals unveiled two new creations at the 2017 NAMM show with the Baxstabber and Blast Furnace pedals. Both pedals, which are made in New Jersey, will be shipping later this year. We caught up with Fuzzrocious’s Ryan and Shannon Ratajaski at the show to get the scoop. “The Baxstabber is a tone shaper and an EQ,” Shannon explained. “It’s...

Pigtronix has announced a micro version of their popular Disnortion pedal, which features all of the 18-volt headroom of the original analog Fuzz and Overdrive circuits into a smaller unit that runs on 9 volts. It also has a couple upgrades. “This new Micro version of the Disnortion hugely one-ups the original’s broad palette of touch-responsive dirt sounds by including...

Morley has announced a new limited edition of the Cliff Burton Tribute Power Fuzz Wah. The pedal, which has independent fuzz and wah effects, will come in a chrome finish similar to the original Tel-Ray Morley model. It will be limited to 500 units with some of those being signed by the late Metallica bassist’s father, Ray Burton. The mirror...

FEA Labs has updated their flexible Photon Fuzz pedal with a second version. The Photon Fuzz II includes the original pedal’s tones with added functionality. Made for both bass and guitar, the pedal is named due to a component in the circuit that utilizes infrared light to control the FET used in the fuzz. Its drive and bite controls work...

The octave pedal specialists at Cog Effects have unleashed a new octave/fuzz called the Rogue One. The flexible pedal combines two of the company’s Grand Tarkin bass fuzz channels with a third parallel sub-octave channel found in their T-70 for a huge sound. “Each fuzz channel is supplemented with additional controls to further refine the sound as well as how...

Ten years after their last release, Emma Electronic has unveiled the ON-1 Okto-Nøjs. The octave/fuzz pedal features an all-analog circuit that works well on both bass and guitar. It has separate footswitches for the octave and fuzz effects for flexibility. Controls include Dry, Okto, and Tone for the octave section with Gain, Tone, Color, and Nøjs for the fuzz. Level...

Fuzzrocious Pedals has unveiled the M.O.T.H. pedal, which stands for Multi Overdrive Tremolo Hex. The pedal combines an overdrive, fuzz, tremolo, and noise machine oscillator into one cohesive package. It starts with an overdrive circuit that is set up for low-medium drive, which “pushes into a power amp IC which provides a blast of volume,” the company writes. When turned...

Beetronics has launched its first handmade effects pedal line including the WhoctaHell, a low-octave fuzz with independent controls for each effect. “Its overdrive/fuzz is summed up with a gnarly, squared-wave low octave, resembling an 8-bit bass synthesizer,” the company writes. “Its octave has a range of one or two low octaves, selectable by a toggle switch and also has it’s...

Greer Amps has released a new octave fuzz pedal called the Super Hornet, which they say works great on guitar and bass. Based on a Foxx Tone Machine, the pedal tweaks the vintage-style circuit by using NOS BC-107B transistors and adding a feature to the octave section. The octave switch can be set to On or Stinger modes. When in...

Fuzzrocious Effects has teamed up with Electro-Faustus to create a unique “noisemaker” called the Greyfly. The pedal combines the Fuzzrocious Grey Stache fuzz with the Electro-Faustus Blackfly spring-activated noise generator for a whole new pedal experience. The Greyfly can be used on its own with three springs that can be plucked, scraped, and twanged to create your signal, which is...

Rock Stock Pedals have introduced the Dark Horse, a new silicon fuzz pedal for bass and guitar. With wide fuzz and gain ranges, the company says it has a wide palette from “cool lo-fi tones to all out saturated, high-gain fuzz.” The Pedal has three controls – Volume, Treble, and Sustain – for dialing in your tone. Rock Stock points...

Source Audio is now shipping their Aftershock Bass Distortion. The pedal boasts three distortion engines – Tube, Heavy, and Fuzz – as well as the company’s Neuro Mobile App capabilities for deep tonal tweaking. “The Tube engine belts out a subtle, but powerful vintage tube overdrive with a smooth breakup and plenty of punch,” Source Audio explains. “Heavy creates an...