Pedal Archives - Page 31

Years after the original was discontinued, Digitech is reintroducing the Bass Whammy pedal. The updated pitch-shifting pedal is optimized for bass guitar tones and retains its classic settings while introducing new true bypass and MIDI operation. Digitech says the Bass Whammy is ideal for 4-, 5-, or 6-string basses and has very accurate pitch detection and polyphonic note tracking. It...

Malekko Heavy Industry has introduced the Justin Meldal-Johnsen Signature Diabolik harmonic analog fuzz pedal. The pedal is based on the Malekko’s B:assmaster circuit but is housed in a more compact chassis. Diabolik features a preset harmonic spectrum setting that the company says gives “crisp octave overtones and a very aggressive tone setting.” Its controls include a Fuzz knob, a Clean...

Mooer has introduced the Noise Killer, a noise gate fitted into a micro pedal configuration. The Noise Killer eliminates noise and feedback in signal chains. It has a simplistic control layout with a single rotary knob to set the threshold and a two-position switch to toggle between a hard or soft knee. The threshold can be set from -70dB to...

Kansas City’s JHS Pedals has unveiled the Moonshine Overdrive. Designed for bass and guitar, the stompbox is described as a “massively tweaked version of the most famous overdrive ever created.” The Moonshine has standard Volume, Drive, and Tone controls that are augmented with a “Proof” toggle switch. When switched down, the Proof toggle pus the pedal into a higher gain...

EC Pedals has joined forces with bassist Michael Benson to released the FuzzDriver, a stompbox that combines the company’s Bass Overlord and Angry Ape Gated Fuzz effects into one. The effects can be activated separately or together to create new textures. The Fuzz side of the FuzzDriver has Level, Tone, Gain, and Growl controls. Its Growl knob controls the gate...

Lehle is now shipping the Julian, a preamp pedal with parametric mids and treble controls for tonal shaping and recreating sounds of classic treble boosters. Its booster offers up to 15dB of boost or cut. Since the vintage boosters had low input impedance, the Julian is equipped with a switch that reduces the impedance from 1MOhm to 10kOhm to reproduce...

Fairfield Circuity has unveiled The Accountant, a compact compressor pedal inspired by classic JFET feedback compressors. The all-analog pedal is designed for bass, guitar, vocals, and any pretty much any other audio signal. The Accountant has a single volume knob with a pair of 3-position switches. The first switch controls the compression ratio with 3:1, 6:1, and 12:1 settings. The...

3Leaf Audio has introduced a new fuzz box called You’re Doom, which the company says is suited for all instruments. The pedal responds to playing dynamics to create vintage synth-inspired sounds. You’re Doom has a Shape switch to toggle between a lead sound and a broad mid scoop, while further tonal shaping can be done with the Tone knob which...

Darkglass Electronics has unveiled the Duality, a fuzz pedal that offers up two separate fuzz circuits that can be used individually or blended for a wide variety of textures. The first side is a saw-tooth shape shifting circuit for an old school vibe while the second circuit is a 4-stage CMOS high gain distortion for a more brutal tone. The...

EBS has introduced the FuzzMo, a fuzz pedal for bass that fills the gap between their distortion pedals and vintage fuzz effects. In addition to Gain and Volume controls, the Fuzzmo has a Blend knob for mixing your clean tone with your dirty signal. The pedal’s Shape control changes the shape of the gain engine from triangle to square wave...

Electro-Harmonix has expanded their Next Step series of pedals to the bass realm with the Crying Bass Wah/Fuzz. Similar to other Next Step effects, the pedal features no moving parts and uses a motion sensor to translate movement. The pedal’s fuzz circuit adds distortion and harmonics to the signal and helps accentuate the wah effect. The pedal also has a...

SolidGoldFX has introduced their first bass-specific effects pedal, the SuperDrive Beta. Designed with an EQ tailored for bass, the pedal offers tones from old school thump, to an “Ampeg inspired” drive. The SuperDrive Beta is built with a JFET preamp with subtle germanium clipping to double as an always-on tone shaper or a cutting fuzz. Controls include Gain, Tone, and...