Articles by Jody Miller - Page 22

Gojira closes Bloodstock with a fiery performance of Stranded featuring Jean Michel Labadie and his signature Sandberg in a powerful live festival finale.

Michael League’s vintage P Bass tone and subtle effects choices add real character to this hour long London set with Nate Smith, creating a laid back and engaging performance.

Jack Gardiner’s original track Taxman features Owane and Henrik Linder in an upbeat progressive jam highlighted by tight interplay, bright energy, and sharp bass work.

Lari Basilio leads the Spoleto Jazz 2025 performance with Arthur de Palla pushing the band forward and locking the set together on bass.

A live cut of “This Feeling” shows Alabama Shakes in peak shape, with Zac Cockrell’s P Bass shaping the warm low end that defines the track.

Ellen Alaverdyan handles melody and groove in a smooth Take Five performance with Gregg Bissonette adding lift and color for a tight and charming take on the classic tune.

Pino brings an easy fretless feel to this quiet duo performance with Blake Mills offering a clear look at his touch tone and space in a live setting. (158 characters)

Jack Bruce’s fretless Warwick tone stands out at Jazzgipfel supported by his Trace Elliot and Hartke rig offering a clear view of his phrasing and commanding presence.

Guy Pratt’s tone and feel help David Gilmour’s Fat Old Sun build from a soft start to a big finale making the Rome performance hit even harder.

Reflection brings two 6 string bassists together with RO1 on synth for a layered and melodic trio piece that highlights texture, space and a modern bass driven sound.

Joe Dart’s tone and bass work shine throughout Vulfpeck’s MSG II, now streaming in full and released on vinyl for listeners wanting a deeper look at the performance.

Billy Strings delivers a tight Tiny Desk set with Royal Masat’s upright bass bringing warmth, drive, and definition for listeners who love acoustic low end.